THE WORLDS OF HAYAO MIYAZAKI

Subtitle The Influences and Inspiration Behind the Iconic Films

Nicolas Rapold
Price $35.00 / £25.00
Description Description

The Worlds of Hayao Miyazaki is a journey through the stories, ideas and inspirations behind the films of one of cinema’s most influential visionaries. From My Neighbour Totoro and Spirited Away to Princess Mononoke, Howl’s Moving Castle and Ponyo, Miyazaki’s work has captivated audiences around the world with its emotion, artistry and unforgettable characters.

Often called the godfather of animation, Miyazaki is the co-founder of Studio Ghibli and the creative force behind some of the most beloved animated films of all time. Spirited Away remains the highest-grossing film in Japanese cinema history and won the Academy Award for Best Animated Feature.

This book explores the rich mix of cultural, historical and artistic influences that shaped his storytelling. From Japanese folklore and childhood memories to European architecture, classic cinema and political commentary, it reveals how Miyazaki’s deeply personal vision created layered worlds that feel both fantastical and grounded in truth.

With insight into his process, visual language and recurring themes – including nature, flight, girlhood, resistance and renewal – The Worlds of Hayao Miyazaki offers fans and film lovers a deeper understanding of the imagination behind the magic. It is a celebration of creative freedom, storytelling without limits, and the enduring power of animation.

Format:
Format Hardcover Book 224 Pages
ISBN:
ISBN 9781836004813
Size:
Size8.27 in x 10.24 in / 210.00 mm x 260.00 mm
Published:
Published Date September 18th, 2025
Nicolas Rapold

Nicolas Rapold is a writer and editor. He worked as editor-in-chief of Film Comment (both web and print) at Film at Lincoln Center, where he hosted the Film Comment Podcast, curated Film Comment Selects, and was a member of the magazine’s editorial team since 2005. He currently hosts the podcast The Last Thing I Saw and his writing has appeared in The New York Times, Artforum, the Criterion Collection Daily, and Sight & Sound.

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